పరాఙ్ముఖ మేలనమ్మ పరాధీన పతిత నాపై
నిరాదరణ(ము) నీవే చేసితే, నే సహింప తరమా తల్లీ || పరా ||
మరాళ(ళా)నిత మందగమని
మహాదేవ మదిరంజిత వదని
నిరామయే అంబా నీరద శ్యామలే
నిత్యకళ్యాణ గుణాలయే || పరా ||
paraa~mmukha mElanamma paraadhiina patita naapai
niraadaraNa(mu) niivE cEsitE, nE sahimpa taramaa tallii || paraa ||
maraaLa(Laa)nita mandagamani
mahaadEva madiranjita vadani
niraamayE ambaa niiradaSyaamalE
nityakaLyaaNa guNaalayE || paraa ||
Film: Anta Mana Manchike
Music: Bhanumati & Satyam
Lyrics: G. N. Balasubramaniam
(The way Bhanumati rendered this great composition made me speechless. Whatever doubts I had about Bhanumati's musical skills - they were just blown away. GNB's lyrics are unique - they are nothing but a total surrender to the feet of Parvati, the supreme Mother. Bhanumati like Satyajit Ray did everything in a movie: story, script, lyrics, music, acting, and direction. For many decades to come, she will be fondly remembered by the Telugu community for her special voice, vocal talents, and flawless diction. Music just came to her as water to a duck (brook). When I watched her sing this song in the movie, immediately I was hooked to it - as I could see the fusion of two great artists.)
2 comments:
It's no surprise,she popularised many carnatic classics so that the masses could enjoy a more palatable version of classical music-and am sure would have encouraged many people to actually develop love for and even learn classical music
Venugopal maganti,
thanks for your comment. I didn't get to see your comment till today. At times I am a bit irregular responding to readers' comments. Sorry for responding late.
Post a Comment