జయ జయ వైష్ణవి దుర్గే (అంబ) జయ జయ కల్పిత సర్గే
జయ జయ తోషిత భర్గే (అంబ) జయ జయ కుచ జిత దుర్గే
జయ జయ తోషిత భర్గే (అంబ) జయ జయ కుచ జిత దుర్గే
1. శ్రీకర సద్గుణ జాలే (అంబ) సిందూర రంజిత ఫాలే
పాకశాసన మణి నీలే (అంబ) ప్రాలేయ భూధర బాలే
పాకశాసన మణి నీలే (అంబ) ప్రాలేయ భూధర బాలే
2. పాలిత కిసలయ చాపే (అంబ) పార్వతి లోకైక దీపే
కాళిక కోమల రూపే (అంబ) ఖండిత త్రిభువన తాపే
3. భక్త జనామర భూజే (అంబ) భాసిత లోక సమాజే
రక్త మృదుల పాదాంభోజే (అంబ) రంగ దుత్తుంగ వక్షోజే
4. శంకరి సత్కృపా పూరే (అంబ) సంభృత సన్మణి హారే
సాంక వలిప్త శరీరే (అంబ) సంగ తాంగ కేయూరే
5. వీణా వినోదిని గిరిజే (అంబ) విద్రుమ మణి సన్నిభ గిరిజే
మానిత లోకసమాజే (అంబ) మదన గోపాలక సహజే
jaya jaya vaishNavi durgae (aMba) jaya jaya kalpita sargae
jaya jaya tOshita bhargae (aMba) jaya jaya kucha jita durgae
1. Sreekara sadguNa jaalae (aMba) siMdoora ramjita phaalae
paakaSaasana maNi neelae (aMba) praalaeya bhoodharabaalae
2. paalita kisalaya chaapae (aMba) paarvati lOkaika deepae
kaaLika kOmala roopae (aMba) khaMDita tribhuvana taapae
3. bhakta janaamara bhoojae (aMba) bhaasita lOka samaajae
rakta mRdula paadaaMbhOjae (aMba) raMga duttuMga vakshOjae
4. SaMkari satkRpaa poorae (aMba) saMbhRta sanmaNi haarae
saaMka valipta Sareerae (aMba) saMga taaMga kaeyoorae
5. veeNaa vinOdini girijae (aMba) vidruma maNi sannibha girijae
maanita lOkasamaajae (aMba) madana gOpaalaka sahajae
Sarge = creation, swarga; jalE = web, crown; phalE = forehead;
bhujE = kalpa-taruvu, a celestial tree that readily gives boons;
(It gives me great pleasure to write about this extraordinary composer, Sri Narayana Tirthulu. His origins trace to Andhra Pradesh but he left his footprints across India from Varanasi to a village in Tamil Nadu. If my memory is correct I remember seeing such dance ballet compositions on the stage in my village. We used to have a small ashram run by two ascetic sanyasinis (సన్యాసిని, యోగిని, తపస్విని) nestled beautifully next to the agricultural feeder canal. The ladies would pick pitchers of fresh water from the canal during early morning hours - thus preserving their spiritual purity, inner chanting, and solemn meditation. They would train the local high school girls in music and dance. Narayana Tirthulu's compositions are quite well known much of south India and Varanasi. There are several versions of this song on the Internet at :YouTube. I liked the voice of Sri Voleti Venkateswarlu and his tune. Here is the link:
I may have to visit this song in detail again sometime to explore its profound meaning. The Devi in Vijayawada comes to my mind while learning this song. In Telugu we fondly refer to this composer as "నారాయణ తీర్థులు". That "lu" is a honorific ending, it means "Sri Narayana Tirtha Sir". Certainly he deserves all the respect. Once the Devi or Lord Krishna appeared to him and fed him "పాయసము" (sweet rice pudding). It happened when he had to lock himself in a room and avoided contact with the public - thus shunning even the daily alms seeking. Lord Krishna helps his devotees in mysterious ways, no doubt. That was his word in the Gita.) Copyright 2026 by the author
