Showing posts with label Ganesa. Show all posts
Showing posts with label Ganesa. Show all posts

Tuesday, June 15, 2021

Riches (A Poem)

sirulu

                                        - (atri)


lEvu sirulu vaDDiikaasula vaani hunDiilalO

lEvu okka taamara mogga mugdha lachchi vadda

lEvu kubEra bokkasamuna madiiya bojja gaNapatiki unDraaLLu

lEnivaaDanipinchukonu bhasmalEpita bhikshakuDu Sivunivadda

kalavu palu rahasyapu maNimaanyamulu, bhuvanaika sundaradhanamul

kaladu samastajagadhdhanaraasi aa peddamma annapuurNamma bhaanDamulO 


సిరులు

                                        - (అత్రి)


లేవు సిరులు వడ్డీకాసుల వాని హుండీలలో

లేవు ఒక్క తామర మొగ్గ ముగ్ధ లచ్చి వద్ద

లేవు కుబేర బొక్కసమున మదీయ బొజ్జ గణపతికి ఉండ్రాళ్ళు

లేనివాడనిపించుకొను భస్మలేపిత భిక్షకుడు శివునివద్ద

కలవు పలు రహస్యపు మణిమాన్యములు, భువనైక సుందరధనముల్

కలదు సమస్తజగధ్ధనరాసి ఆ పెద్దమ్మ అన్నపూర్ణమ్మ భాండములో Copyright 2009 by the author


Riches
No riches in Balaji’s hundis
No, not a single lotus with the demure Lakshmi
And in Kubera’s godown
There aren’t enough modakas for my Ganesa
Yet
There are many hidden stones, and one-of-a-kind
Rare treasures with Siva, that wandering mendicant
With ashes all over His body
And the largest collection of treasure cosmic safe
Is with
The great Mother (aunt), Annapurna
Concealed in the stone-studded silver jar
In Her hand

(This is a translation of the Telugu poem “sirulu”, by the author)
Copyright 2021 by the author 






Saturday, September 21, 2019

Ganesa's Grace - II

श्री गुरुभ्यों नमः | अनेक साष्टाङ्ग दण्ड प्रणाम सहित प्रणतोस्मि श्री कंचि कामकोटि  परमाचार्य पदारविन्देन |In an earlier post I wrote about the lyrics of the well-known sloka (శుక్లాంబర)  with meaning. If I remember correctly Sri Seshadri Swamy urged his disciples to chant this sloka three times – to invoke Lord Ganesa properly. Everything with the Siva family centers around three: The Bilva leaf, three eyes (Sun, Moon, and Fire), and the trident. The trident is a symbol of dissolution of the three gunas - tamas, rajas, and sattva; it is not just a weapon to scare evil doers.


अगजानन पद्मार्कम् गजानन महर्निशम् 
अनेकदं तं भक्तानां एकदन्त मुपास्महे 
అగజానన పద్మార్కమ్ గజానన మహర్నిశమ్ 
అనేకదం, తం భక్తానాం ఏకదంత ముపాస్మహే 
agajaanana padmaarkam^ gajaanana maharniSam^ 
anaekadaM, taM bhaktaanaaM aekadaMta mupaasmahae 

Brilliance of the Sanskrit language and its brevity! One letter can convey a complete word. अ = न = not; ग = moving; Agaja = daughter of the mountain. How succinctly and affectionately did the Kanchi Swami encapsulate the Mother, in the Telugu phrase: konDa-chuli (కొండ చూలి)

You are (Thou art) like the sun
To Parvati’s (daughter of the mountain) lotus-like face 
I pray to the elephant faced Lord
Day and night
You bestow many things
To the devotees
I meditate on the Lord
The One with one tusk

Many times people unknowingly say ‘anekadantam’ as a single word, which is wrong. There should be a brief pause after uttering “anekadam”. Earlier I too used to get confused - why is the Lord addressed as the One with many tusks?

Once Ganesa asked for the head of Lord Siva as a sacrifice. To satisfy His demand, we offer Him a coconut (representing a head) with three black marks (corresponding to the three eyes of Lord Siva). There must be many stories depicting the generosity and promptness of Lord Ganesa. Once Ganesa provided sumptuous meals to the wandering Sri (Kavya Kantha) Ganapati Muni and his brother. He transported the Siva devotee Avvaiyar to Kailas. The great original Telugu singer, Ghantasala recited this sloka with utmost perfect diction; in the movie “Vinayaka Chaviti” he rendered the Muttuswami’s composition (Vatapi Ganapathi) with these two slokas invoking Lord Ganesa. In high school we had an excellent vocalist (brother of Mr. Peter) as a classmate. We scarcely realized his talent and skill of nimble drumming fingers. One day during the annual school function he mesmerized all of us with his singing of Muttuswamy’s composition with his drumming on tabla. Later we came to know about his guru, Sri Rudraraju Subbaraju. Some pleasant cherished memories! There Kasi blessed the maestro Bismallah Khan and here our town bestowed unique talent on the young U. Srinivas.


I conclude this piece with Narayana’s playful antics to amuse Lord Ganesa. Once Vinayaka grabbed the spinning disc (सुदर्शन चक्र ) and swallowed it effortlessly. Lord Vishnu (none other than Ganesa’s uncle) got into a fix; how to get back His weapon? Then He went on performing umpteen (more than a thousand) sit-ups holding His ears with four hands. Our mischievous Ganesa immediately went into bursts of laughter and lo, the disc came out. Even now we do the sit-ups (గుంజీలు) and hit our foreheads with knuckles to please Ganesa easily, instantaneously. What can we offer to this pure embodiment of knowledge, wisdom, and kindness? Except a blade of grass. It is difficult to get to the real essence of Brahman or Ganesa; yet humble faith and submission may open the door to the unknowable. (Collected from the benedictions and discourses of Sri Paramacharya) Copyright 2019 

Tuesday, October 16, 2018

Translation of 'Lambodara lakumi kara' Song

-->
Foremost, I humbly offer my prayers to the (my) guru. Kanchi Paramacharya gave a very illuminating exposition on Ganesa and His essential qualities. Ganesa is unique; like an innocent child He is easily pleased. Yet among all the gods, He is beyond the symbolic form – He constantly teaches us to look beyond the frivolous physical form and beauty constraints. Ganesa is of course, the Para-Brahman, far away from the limits of space, tri-guna restrictions, and human imagination.

Lamba = large; udara = belly; lakumi = lakhumi = Lakshmi (seems it is from Marathi); kara = hand, trunk, give, yield; amba = The Mother, Devi, Parvati; suta = son, child; amara = celestials, those immortals in heaven (swarga); vinuta = praised, extolled;
Sri = Lakshmi, prosperity, holy; gaNanatha = master of all the ganas; sindura = the color of red cinnabar (HgS). (I came across this color first in our village in two situations. The Anjaneya temple murti of Hanuman is fully colored in this oily orange-red paint. People also used locally available ochre stone (iron compound) to paint and decorate their houses and exterior walls. Perhaps that is how most of the Vaishnava temple walls are covered with red stripes.) varna = color, hue; karuNa = compassion, grace; sagara = ocean, the body of water named after the emperor, Sagara; kari = elephant; vadana = face;
siddha = persons with great abilities (acquired through yoga) ; charaNa =wandering actors, flying persons, students of Vedas; gaNa = group of gods (nine classes); sevita = (One who is) served by; siddhi =able to accomplish (any proper, dharmic) goal, also having total control of the eight or more supernatural powers; Vinayaka = a distinguished master, Lord of obstacles; te = thou, you, namo = salutations, respects;
sakala = all types, various; vidya = branches of knowledge (arts, sciences, etc.); adi pujita = offered prayers first; sarva = all; uttama = best, excellent;
  
Here in this composition, we address Ganesa with various qualifying epithets. Each one speaks to the unique characteristic of this embodiment of ‘innocent childlike purity of Brahman’. The Mother imparted Him with all the auspicious qualities of wisdom, boundless energy, (slight) mischievous playfulness of a child, and infinite compassion. Ganesa also forgives His devotees easily. In the forest nothing can obstruct the advances of an elephant. Similarly with Ganesa’s grace every obstacle can be efficiently overcome with ease. How to illustrate His benevolent timely grace to the devotees? Once He effortlessly transported Avvaiyar to Kailas with His trunk. At another time He arranged a sumptuous meal for Kavya-kantha Ganapati muni and his brother miraculously on a deserted street.

(Faith and morals (truthfulness, altruism) are best taught to children when they are young. In earlier times (we’re truly blessed in this regard) mothers, grandparents, and teachers taught us edifying stories from the puranas. With age one contracts the corrosive disease of “endless questioning and disobedience”. We refuse to listen to others. Some times questioning is good in certain areas (science, math) for exploration – the trait is more like a healthy skeptical attitude. But sheer useless, often endless questioning will not help in developing a healthy personality. Modern man tends to size up all bygone seers, rishis, and philosophers as “ignorant nincompoops”. This is a dangerous vice; in the end he will have no friends in the world. Crass stubborn rationality will not come to his aid when he gets sick, bankrupt, alone, or in despair. Lay people sadly are not aware that even in mathematics, in certain instances logic breaks down (Kurt Gödel). Lucky are those who still can seek the guidance of a ‘guru’ while the day is young!) Copyright 2018 by the author


 

Wednesday, September 26, 2018

"Lambodara lakumikara" Song - Lyrics in Telugu

లంబోదర లకుమి కర
అంబాసుత అమర వినుత
శ్రీ గణనాథ సిందూర వర్ణ (1)
కరుణ (ణా) సాగర కరి వదన
సిద్ధ చారణ గణ సేవిత (2)
సిద్ధి వినాయక తే నమో నమో
సకల విద్యాది పూజిత (3)
సర్వోత్తమ తే నమో నమో  

laMbOdara lakumi kara aMbaasuta amara vinuta Sree gaNanaatha siMdoora varNa karuNa (Naa) saagara kari vadana siddha chaaraNa gaNa saevita siddhi vinaayaka tae namO namO sakala vidyaadi poojita sarvOttama tae namO namO

(There are several songs on Ganesa. According to tradition,
beginners start with either శుక్లాoబరధరం, తొండము నేకదంతము,
or లంబోదర లకుమి. My favorite song is the one from Vinayaka
Chaviti movie, "vatapi Ganapatim bhaje". I've learnt this
Purandara Dasa song from Smt. S. Janaki's rendition. The
English transliteration is generated by nikhilE. A word by
word meaning will be given in the next post.)

Thursday, May 10, 2018

An Invocation Song by Dr. Balamurali

రాగము : ఆరభి
అది తాళము


శ్రీ సకల గణాధిప పాలయమాం అనిశం
వర సిద్ధి వినాయక భక్త జనాళి పోష వరచంద్ర మౌళి సుత


దాసర్చిత పాద
భాసురాంగ కరుణాసముద్ర వర వాయుపుత్ర
హనుమంత వరప్రద
శ్రీ సకల శివంకర మారుతి మామవతు
వర రామ సునామ సుధారస పానదీన నిజ భక్త భయాపహ
శ్రీ సకల శివంకర మారుత మామవతు


నంద నందన వందన మస్తుతె కుందర దన ముకుంద మురహర
మందరో ద్ధర వందిత బుధ జన బృంద హృదయ నివాస సుందర
మంద హసిత వదనారవింద మకరంద పాన సంగీత సుధాకర


శ్రీ సకల కళాపరిపూర్ణ దయాశరధే
వరదాభయ దాయక మామవ మంగళాంగ మురళీధర మోహన


శ్రీ సకల కళాపరిపూర్ణ దయాశరధే
శ్రీ సకల శివంకర మారుత మామవతు
శ్రీ సకల గణాధిప పాలయమాం అనిశం


raagamu : aarabhi
adi taaLamu


Sree sakala gaNaadhipa paalayamaaM aniSaM
vara siddhi vinaayaka bhakta janaaLi pOsha varachaMdra mauLi suta


daasarchita paada
bhaasuraaMga karuNaasamudra vara vaayuputra
hanumaMta varaprada
Sree sakala SivaMkara maaruti maamavatu
vara raama sunaama sudhaarasa paanadeena nija bhakta bhayaapaha
Sree sakala SivaMkara maaruta maamavatu


naMda naMdana vaMdana mastute kuMdara dana mukuMda murahara
maMdarO ddhara vaMdita budha jana bRMda hRdaya nivaasa suMdara
maMda hasita vadanaaraviMda makaraMda paana saMgeeta sudhaakara


Sree sakala kaLaaparipoorNa dayaaSaradhae
varadaabhaya daayaka maamava maMgaLaaMga muraLeedhara mOhana

Sree sakala kaLaaparipoorNa dayaaSaradhae
Sree sakala SivaMkara maaruta maamavatu

Sree sakala gaNaadhipa paalayamaaM aniSaM

(Copyright of this composition (lyrics, music, tune, etc.) belongs to Dr. Balamuralikrishna; now the rights are with his family and MBK Trust. I am posting here the Telugu lyrics and English transliteration for the benefit of music students and teachers. I heard this song in Dr. Balamurali’s vibrant voice in a cassette, picked up at the Pittsburgh SV Temple. This song seeks the blessings of Ganesa, Hanuman, and Krishna. Ganesa for removing unforeseeable hurdles, Hanuman for imparting strength to overcome insurmountable major obstacles, and Krishna for His enchanting spell and artistic beauty all around. Often I find announcers (MCs) omitting the names of composers at public performances. This is unconscionable - one should always acknowledge the contributions of composers, the originators of creative artistic content. I feel a little pang of pain at the thought - that we have not fully appreciated the genius of Dr. Balamuralikrishna. But then, a prophet is never properly recognized in his hometown!)

Thursday, February 23, 2012

Ganesa's Grace (గణేశానుగ్రహం)

Ganesa'a Grace
గణేశానుగ్రహం
శుక్లాంబరధరం విష్ణుం శశివర్ణం చతుర్భుజం
ప్రసన్న వదనం ధ్యాయేత్ సర్వ విఘ్నోపశాంతయే (1)

అగజానన పద్మార్కం గజానన మహర్నిశం
అనేకదం తం భక్తానాం ఏకదంత ముపాస్మహే (2)

Anna used to teach Hatha Yoga and meditation in a New York City yoga center. ‘I thought of including a sloka reading into the practice, but often I would stop upon a little reflection. Americans get easily confused if god has (is imparted with) numerous names. How to explain this aspect of Indian philosophy to Americans?’, she asked the philosopher Diani.

Diani: In the west, the Almighty is referred to by only one word, ‘god’. In India, god has many names. That does not mean there are so many gods. In truth, god is only one. The varied names refer to god’s distinct characteristics, rather attributes. Ganesa – His name means: Remover of difficulties (obstacles) in life. In a forest, an elephant (like a big earthmover) removes obstructions in its path and proceeds ahead without any fear or distraction. Thus, the elephant head of Ganesa signifies the following: He, too efficiently removes all insurmountable barriers in a devotee’s life. Praying to Ganesa means, we pray to invoke (certain specific) god’s qualities: His compassionate commitment to a devotee, His unwavering willingness to ease His aspirant’s earthly problems by eliminating prickly obstructions in ones path. Even now (since times immemorial) that is how we pray to Ganesa. (Ganesa in special situations also introduces difficulties into a project; when such a project may do more harm than good)

Anna: Why pray to Ganesa only? Isn’t it enough if we pray just to god?

D: For executing (the three universal tasks) creation, sustenance, and dissolution (cf. destruction), many types of energies are needed. Have you ever observed closely at big organizations (corporations or governing bodies)? Have you looked at their organizational structures, directories? Who heads what department, what section? Who oversees whom, etc.? For running this entire cosmos (universe) with all its myriad worlds, we need many divisions and subdivisions. In this, there are many worlds, different levels of living (sentience?), and many kinds of living beings.

A: Generally, while reading (reciting) slokas, mantras, what kind of energy is invoked? What do they propitiate? What (benevolent) actions?

D: Knowledge (= Sarada), Prosperity (= Lakshmi), Love ( = Krishna), Victory ( = Durga), Fate ( = Brahma), Compassion ( = Siva), Fearlessness ( = Hanuman), Protection ( = Parvati, Vishnu), Equanimity = Dakshinamurti.

A: When we pray to these embodiments of qualities, do we get that energy (quality)?

D: That is the intent. By uttering that name (quality/characteristic), by reciting that stotra, by singing that song (hymn), we can open (tune) our channel to receive that energy. There is a possibility – whatever we meditate upon, it (i.e., that energy) becomes ours.

A: If we are truly (evidently) that ultimate (transcendent) reality, isn’t it enough if we just pray to ourselves?

D: We do pray to ourselves, we worship ourselves. But not in a proper way. Look how we worship our bodies. How we drape our bodies in expensive clothes. Attach costly ornaments (jewels), how we spread the body with scented creams, cold creams, talcum powders – look at such things we indulge. See, how we feed it (body) with rich food. See, how we lay the body on soft comfortable beds – notice how we treat the human body. If we feel that we are doing all this (treatments, services) to the (internally dwelling) god, if we feel our body as a form (envelope, embodiment) of god, a representation of god, then these indulgences (or gentle services) in our body upkeep – this itself will transform into a great spiritual pursuit (instrument)!

A: By uttering all these attributes (energies), by reciting prayers (stotras), can we receive, can we obtain definite help or do we just stay (trapped) in that emotional euphoria (feeling)?

D: I heard about a lady, a lady without any college education (3). She computed the product of two thirteen digit numbers in half a minute. On top of it, she produced a perfectly correct answer. When asked how she got such an extraordinary talent, she said it was due to Ganesa’s blessing. I say: This evidence is incontrovertible and specific.

1. For the meaning, see one of my earlier blogs: http://tenneti-rao.sulekha.com/blog/post/2007/06/prayer-to-vinayaka-suklambaradharam.htm

2. Meaning of this sloka will be given in a future post.

3. Reference to Shakuntala Devi, the famous Indian mathematician.

[Translator’s Note: This is taken from an excerpt of Neelamraju’s Notebook (a Telugu work). I pay my sincere heartfelt thanks to the writer(s). Deliberately, I have added extra comments and explanations for the benefit of an aspirant. For every aspirant (patient), ‘time is of essence’, there is no extra time, life is fleeting very fast. Sri Seshendra Swami would often say and exhort: “Do not sleep, Yama is lurking in the shadows, He will come and take you away. Just hold on to the feet of Siva, do not forget for a moment even. Get up, get up now, it’s urgent.” Though I am confident of the fidelity of translation, I can only hope – that no distortions have crept into the original words of Diani. Often, minor misunderstandings will vanish upon careful inner examination and meditation.

When I come across a person or youth, estranged from his ancient (organic) roots, traditions, or culture – I feel saddened. That is why, all the masters proclaim: Even the urge to meditate can only happen when there is ‘grace’ (or remnants of past good karma). Whether it is yoga, Ayurveda, meditation, or religion – there is so much precious material in the hidden treasures of Sanatana Dharma. It is a pity, if the modern seeker just blindly searches under “the false search-lights of modernity” – like the proverbial drunken fellow looking for his lost car keys beneath street lights. Only a sober, humble mind can see the truth. And one must remember always this – I (or you) am not the first seeker. There were many great souls before and there would be many more in future. To all, I pay my humble respects and bow to them all.]

Copyright 2012